Farewell My Concubine [1993]
![Farewell My Concubine [1993]](http://ecx.images-amazon.com/images/I/51NFA8QFWEL._SL160_.jpg)
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List Price: ££15.99
Our Price: ££12.60
Your Save: £ 0.00 ( % )
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Manufacturer: Artificial Eye
Starring: Leslie Cheung, Fengyi Zhang, Li Gong, Qi Lu, Da Ying
Directed By: Kaige Chen
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Average Customer Rating: 
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Audience Rating: Suitable for 15 years and over
Binding: VHS Tape
EAN: 5024165293553
Format: HiFi Sound
Label: Artificial Eye
Number Of Discs: 1
Number Of Items: 1
Publisher: Artificial Eye
Release Date: 1994-06-07
Running Time: 150
Studio: Artificial Eye
Theatrical Release Date: 1993-10-15
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Spotlight customer reviews:
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Customer Rating:
Summary: unimaginable
Comment: This has to be one of the greatest films ever made. I can add nothing to the previous reviews other than this little anecodte...
The first time I went to see this film was after a hectic week of theatre work. I had been in the constant company of one of my fellow actors for over a week, including rehearsals, performances and the party on the last night of the show. The cast had then all slept in the same house, breakfasted and gone their ways. My friend suggested we go to see some arty Chinese film (yawn!). I was vaguely interested because I had seen Chinese theatre once or twice.
Once the film started I was transfixed. At one point, two hours into the film, I suddenly remembered I was in a cinema sitting next to somebody... but who? I couldn't remember who I was at the cinema with and I was too entranced by the film to turn around to look! I went to see this film a second time the same week!
Customer Rating:
Summary: One of the greatest films of all time!
Comment: Farewell My Concubine is a masterpiece of not only Chinese cinema, but of film the world over that everybody should have seen at least once in his or her lifetime. It may be a Chinese film dealing with Chinese culture and history but the insights it provides and the home truths about human nature that it exposes are universal. Farewell My Concubine is a powerful and deeply moving study of unrequited love and betrayal and the destructive impact that politics can have on art and human relationships. In stunningly beautiful pictures (think: The Last Emperor) this emotional tour de force tells the story of two Peking Opera stars, the masculine Duan Xiaolou and the effeminate Cheng Dieyi, and the woman that comes between them, against the backdrop of fifty years of Chinese history.
The film begins in 1925 when 8-year-old Dieyi (then still called Douzi) is sold by his mother to a Peking Opera school, where he meets Xiaolou (then still called Shitou) for the first time. Because of his pretty face and effeminate appearance Douzi is picked to play female parts and has the line ‘I am by nature a girl’ drilled into him until he can no longer distinguish between his opera part and reality. Meanwhile, Shitou is groomed for the role of the masculine hero. The training regime is brutal. Shitou feels protective of the younger Douzi and soon a deep friendship develops between them. Eventually, after years of hard training, they become famous and star together in the opera Farewell My Concubine - Xiaolou as the King of Chu and Dieyi as his concubine. The parts they play in the opera are symbolic of their real life relationship since by now Dieyi, still haunted by his mother’s rejection and desperate for affection, has fallen secretly in love with his friend and protector Xiaolou. Any hopes he may have harboured are shattered, however, when Xiaolou marries the beautiful and ambitious young prostitute Juxian. Juxian and Dieyi recognise each other immediately as a threat to their happiness and react with intense jealousy. It is the beginning of a love / hate triangle that is spurred on by increasingly invasive political events, from the Japanese occupation to the Communist rule and the horrors of the Cultural Revolution. As their environment descends deeper and deeper into a climate of brutality and fear, the degree of emotional cruelty the characters inflict upon each other increases as well, until…
Farewell My Concubine deservedly won the top prize at the 1993 Cannes Film Festival; it also won both the BAFTA and Golden Globe Best Foreign Film awards as well as several critics awards and was nominated for two Oscars. Zhang Fengyi as Duan Xiaolou and the great Gong Li as Juxian both give powerful performances but it is Leslie Cheung as Cheng Dieyi who walks away with the movie. His portrayal of the tormented and at times pathetic Dieyi, who can’t free himself of his obsession with Xiaolou no matter how often he is betrayed, is heartbreaking without ever slipping into sentimentality. Cheung plays Dieyi with the subtle dignity, vulnerability and emotional depth he lends to all his characters, however unsympathetic they are. It is painful to watch Dieyi’s systematic destruction as layer after layer of his being is mercilessly stripped away – all the more so as Dieyi’s fate in the film parallels much of Cheung’s own life, who, after years of suffering from depression, committed suicide in 2003. His charm, courage and outstanding acting skills will be greatly missed!
Customer Rating:
Summary: A personal window to an entire country through time
Comment: This is a film about turbulances. The personal stories are minitures of the story of China going through changing times. Great performances from the main characters supported by well-crafted cinematography and carefully nurtured dialogues. For those who are ignorant of Chinese opera, this could be a starting point on a curioius journey.
Customer Rating:
Summary: A must watch film.
Comment: An overview of 20th Century Chinese history seen through the eyes of two Chinese opera performers. The casting, costumes and cinematography are superb. Although its a long movie, it will keep you absorbed throughout.
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Editorial Reviews: |
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Customer Rating:
Summary: unimaginable
Comment: This has to be one of the greatest films ever made. I can add nothing to the previous reviews other than this little anecodte...
The first time I went to see this film was after a hectic week of theatre work. I had been in the constant company of one of my fellow actors for over a week, including rehearsals, performances and the party on the last night of the show. The cast had then all slept in the same house, breakfasted and gone their ways. My friend suggested we go to see some arty Chinese film (yawn!). I was vaguely interested because I had seen Chinese theatre once or twice.
Once the film started I was transfixed. At one point, two hours into the film, I suddenly remembered I was in a cinema sitting next to somebody... but who? I couldn't remember who I was at the cinema with and I was too entranced by the film to turn around to look! I went to see this film a second time the same week!
Customer Rating:
Summary: One of the greatest films of all time!
Comment: Farewell My Concubine is a masterpiece of not only Chinese cinema, but of film the world over that everybody should have seen at least once in his or her lifetime. It may be a Chinese film dealing with Chinese culture and history but the insights it provides and the home truths about human nature that it exposes are universal. Farewell My Concubine is a powerful and deeply moving study of unrequited love and betrayal and the destructive impact that politics can have on art and human relationships. In stunningly beautiful pictures (think: The Last Emperor) this emotional tour de force tells the story of two Peking Opera stars, the masculine Duan Xiaolou and the effeminate Cheng Dieyi, and the woman that comes between them, against the backdrop of fifty years of Chinese history.
The film begins in 1925 when 8-year-old Dieyi (then still called Douzi) is sold by his mother to a Peking Opera school, where he meets Xiaolou (then still called Shitou) for the first time. Because of his pretty face and effeminate appearance Douzi is picked to play female parts and has the line ‘I am by nature a girl’ drilled into him until he can no longer distinguish between his opera part and reality. Meanwhile, Shitou is groomed for the role of the masculine hero. The training regime is brutal. Shitou feels protective of the younger Douzi and soon a deep friendship develops between them. Eventually, after years of hard training, they become famous and star together in the opera Farewell My Concubine - Xiaolou as the King of Chu and Dieyi as his concubine. The parts they play in the opera are symbolic of their real life relationship since by now Dieyi, still haunted by his mother’s rejection and desperate for affection, has fallen secretly in love with his friend and protector Xiaolou. Any hopes he may have harboured are shattered, however, when Xiaolou marries the beautiful and ambitious young prostitute Juxian. Juxian and Dieyi recognise each other immediately as a threat to their happiness and react with intense jealousy. It is the beginning of a love / hate triangle that is spurred on by increasingly invasive political events, from the Japanese occupation to the Communist rule and the horrors of the Cultural Revolution. As their environment descends deeper and deeper into a climate of brutality and fear, the degree of emotional cruelty the characters inflict upon each other increases as well, until…
Farewell My Concubine deservedly won the top prize at the 1993 Cannes Film Festival; it also won both the BAFTA and Golden Globe Best Foreign Film awards as well as several critics awards and was nominated for two Oscars. Zhang Fengyi as Duan Xiaolou and the great Gong Li as Juxian both give powerful performances but it is Leslie Cheung as Cheng Dieyi who walks away with the movie. His portrayal of the tormented and at times pathetic Dieyi, who can’t free himself of his obsession with Xiaolou no matter how often he is betrayed, is heartbreaking without ever slipping into sentimentality. Cheung plays Dieyi with the subtle dignity, vulnerability and emotional depth he lends to all his characters, however unsympathetic they are. It is painful to watch Dieyi’s systematic destruction as layer after layer of his being is mercilessly stripped away – all the more so as Dieyi’s fate in the film parallels much of Cheung’s own life, who, after years of suffering from depression, committed suicide in 2003. His charm, courage and outstanding acting skills will be greatly missed!
Customer Rating:
Summary: A personal window to an entire country through time
Comment: This is a film about turbulances. The personal stories are minitures of the story of China going through changing times. Great performances from the main characters supported by well-crafted cinematography and carefully nurtured dialogues. For those who are ignorant of Chinese opera, this could be a starting point on a curioius journey.
Customer Rating:
Summary: A must watch film.
Comment: An overview of 20th Century Chinese history seen through the eyes of two Chinese opera performers. The casting, costumes and cinematography are superb. Although its a long movie, it will keep you absorbed throughout.
The panorama of 20th-century Chinese history swirls past two men, celebrated actors with their own decidedly specialised view of things. We first observe their lives as children at the Peking Opera training school, a brutal and demanding arena for future actors. While still in training, the effeminate Douzi is chosen to play the transvestite role and the masculine Shitou is chosen to play the royal role in a ritualised play about a king and a concubine. The actors are so good at this performance that they become identified with these roles for their entire careers; through World War II, through the takeover by the Communists, through the insanity of the Cultural Revolution, they are known for their famous parts. Leslie Cheung and Zhang Fengyi are powerful as the two men, and Gong Li (the beautiful leading lady of Raise the Red Lantern) plays the wife of the latter. The movie may be stronger on good old-fashioned melodrama than on profound conclusions, but boy, does it fill up the eyes. The director is Chen Kaige, one of the most talented members of China's "Fifth Generation" of filmmakers, whose daring subject matter (and sometimes bald international ambitions) have often irked the Chinese government. Indeed, though Farewell My Concubine shared the top prize at the 1993 Cannes Film Festival and snagged two Oscar nominations, it had difficulty gaining official approval from China. --Robert Horton, Amazon.com
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