Natasha's Dance: A Cultural History of Russia
by Orlando Figes
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List Price: ££12.99
Our Price: ££6.50
Your Save: £ ( % )
Availability: Usually dispatched within 24 hours
Manufacturer: Penguin
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Average Customer Rating:  
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Binding: Paperback
Dewey Decimal Number: 940
EAN: 9780140297966
ISBN: 0140297960
Label: Penguin
Number Of Pages: 768
Publication Date: 2003-09-04
Publisher: Penguin
Studio: Penguin
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Spotlight customer reviews:
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Customer Rating:
Summary: Excellent Book
Comment: I have a "thing" for Russia and love to read books about it. This is one of the very best. I have lived in Russia for a year and have some command of the language and I find that Figes more than any other writer squares with how I feel about the place. Added to which his writing is highly readable and jam packed with info.
One little correction, his claim that the Russian word for peasant is unique in being cognate with Christian would seem a little inaccurate. The same occurs in a rare form of Greek spoken in a few villages in Southern Italy (Grecanico). Just a gap in my ignorance I can't resist showing off, I hope you'll forgive my intellectual vanity on that point.
But joking aside this is an incredible book, it defies comprehension how someone can keep all that information in their head and then produce it in a truly readable form. I could happily spend the rest of my life chasing up some of his primary sources for extra information. I'd give the book six stars if I could.
Customer Rating:
Summary: Amazing Russia
Comment: Let There Be A City and there was St Petersburg. Thus starts this incredible story and the next 600 pages (take heed) carry you on a breathtaking journey through Russia, its people and culture as spoken forth by her most brilliant artistes - from Pushkin to Dostoyevsky, Akhmatova to Nabokov, Tolstoy to Gogol, Tchaikovsky to Stravinsky, Ballets Russes to Kandinsky. The first few chapters give an engrossing purview of St Petersburg (where the nobility spoke french before russian) and Moscow (where counts fed their pets on truffles and then went bankrupt).
Holy Russia - the new christian Rome after Constantinople, the land of icons and the Old Believers. Gay Russia and the mazurka and all night balls. Peasant Russia and the battle for food, liberty and vodka. Whence comes the passion and spirit of the descendants of Genghiz Khan and the Vikings? Who would have thought the land of Stalin could once have been so dazzling (see Sukurov's film Russian Ark for visual stimulus). Wonders never cease.
Please, please don't read this rich book if you have a beggarly knowledge of russian literature and history. Lest you declaim this treasure. Go read first and then come back. You'll cry for joy.
Customer Rating:
Summary: Fine, imaginative piece of historical writing
Comment: A very imaginative, richly informative piece of scholarship and a pleasure to read. A great book by one of the great historians of his generation.
Customer Rating:
Summary: A unique and brilliant book, a must read if you want to understand Russia
Comment: Natasha's Dance is in a class of its own. It is the only book that takes in the whole sweep of Russian culture and history, linking literature, theatre, dance, opera and more. Although I studied Russian language, literature and history and I was living in Moscow, there were many things that I just couldn't understand: why were Russians like they were? How did they be so boorish one moment but so cultured and romantic the next? What really happened when the Mongols invaded? Where did those matrioshka dolls come from? Why does Russian music sound different to western European music? What was life like in feudal peasant Russia? or in Siberian exile? How did one country produce peasants, communists, oligarchs, Tolstoy, Tchaikovsky and a whole lot of spies? In Russian literature, why was there so much about wet-nurses, religion, name days, icons, duelling, Decembrists, noble serfs and mystic fools? Who were the Cossacks? Did the entire Russian noble class really speak French to each other? Why didn't the peasants revolt earlier? And why did exiles harbour such a longing for their homeland, even though it was full of communists, corruption and subzero temperatures?
Natasha's Dance tells you all this and far more, much more than I can recall in one go. The name of the book, which is rather offputtingly esoteric, refers to a scene from War and Peace, which indicates what level of reader it is pitched at.
This book is not a light read. There is so much information, you may find you need to stop to take a thinking break after every page just to take it all in. It is so rich that you may be overwhelmed if you haven't got at least a passing knowledge of Russia. If you're not vaguely familiar with at least a handful of names such as Tolstoy, Pushkin, Chekhov, Stravinsky or Akhmatova, you might find Natasha's Dance is a bit of an uphill struggle, and it might be better to start with a gentler climb, like Anna Karenina or Doctor Zhivago.
But for those who know something about Russia and want to supercharge their understanding of the place and its people, this book is undeniably, uniquely, wonderful: a treasure trove.
Customer Rating: 
Summary: Figes is one of the most accessible and intelligent historians around
Comment: This is a cultural history of Russia over the past three centuries. Somehow Orlando Figes manages to draw together disparate concepts and unite them into a coherent view of a wonderfully unique culture. From peasant music and dance to classic literature and the affairs of the state, Figes delves into the heart of Russian culture to produce a work of supreme importance, both for students of Russian history, and those who wish to know more about the vivid, breathing entity that is culture. This is a readable but powerful work which seeks to create a lucid history of one of the biggest and most diverse countries in the world.
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Editorial Reviews: |
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Customer Rating:
Summary: Excellent Book
Comment: I have a "thing" for Russia and love to read books about it. This is one of the very best. I have lived in Russia for a year and have some command of the language and I find that Figes more than any other writer squares with how I feel about the place. Added to which his writing is highly readable and jam packed with info.
One little correction, his claim that the Russian word for peasant is unique in being cognate with Christian would seem a little inaccurate. The same occurs in a rare form of Greek spoken in a few villages in Southern Italy (Grecanico). Just a gap in my ignorance I can't resist showing off, I hope you'll forgive my intellectual vanity on that point.
But joking aside this is an incredible book, it defies comprehension how someone can keep all that information in their head and then produce it in a truly readable form. I could happily spend the rest of my life chasing up some of his primary sources for extra information. I'd give the book six stars if I could.
Customer Rating:
Summary: Amazing Russia
Comment: Let There Be A City and there was St Petersburg. Thus starts this incredible story and the next 600 pages (take heed) carry you on a breathtaking journey through Russia, its people and culture as spoken forth by her most brilliant artistes - from Pushkin to Dostoyevsky, Akhmatova to Nabokov, Tolstoy to Gogol, Tchaikovsky to Stravinsky, Ballets Russes to Kandinsky. The first few chapters give an engrossing purview of St Petersburg (where the nobility spoke french before russian) and Moscow (where counts fed their pets on truffles and then went bankrupt).
Holy Russia - the new christian Rome after Constantinople, the land of icons and the Old Believers. Gay Russia and the mazurka and all night balls. Peasant Russia and the battle for food, liberty and vodka. Whence comes the passion and spirit of the descendants of Genghiz Khan and the Vikings? Who would have thought the land of Stalin could once have been so dazzling (see Sukurov's film Russian Ark for visual stimulus). Wonders never cease.
Please, please don't read this rich book if you have a beggarly knowledge of russian literature and history. Lest you declaim this treasure. Go read first and then come back. You'll cry for joy.
Customer Rating:
Summary: Fine, imaginative piece of historical writing
Comment: A very imaginative, richly informative piece of scholarship and a pleasure to read. A great book by one of the great historians of his generation.
Customer Rating:
Summary: A unique and brilliant book, a must read if you want to understand Russia
Comment: Natasha's Dance is in a class of its own. It is the only book that takes in the whole sweep of Russian culture and history, linking literature, theatre, dance, opera and more. Although I studied Russian language, literature and history and I was living in Moscow, there were many things that I just couldn't understand: why were Russians like they were? How did they be so boorish one moment but so cultured and romantic the next? What really happened when the Mongols invaded? Where did those matrioshka dolls come from? Why does Russian music sound different to western European music? What was life like in feudal peasant Russia? or in Siberian exile? How did one country produce peasants, communists, oligarchs, Tolstoy, Tchaikovsky and a whole lot of spies? In Russian literature, why was there so much about wet-nurses, religion, name days, icons, duelling, Decembrists, noble serfs and mystic fools? Who were the Cossacks? Did the entire Russian noble class really speak French to each other? Why didn't the peasants revolt earlier? And why did exiles harbour such a longing for their homeland, even though it was full of communists, corruption and subzero temperatures?
Natasha's Dance tells you all this and far more, much more than I can recall in one go. The name of the book, which is rather offputtingly esoteric, refers to a scene from War and Peace, which indicates what level of reader it is pitched at.
This book is not a light read. There is so much information, you may find you need to stop to take a thinking break after every page just to take it all in. It is so rich that you may be overwhelmed if you haven't got at least a passing knowledge of Russia. If you're not vaguely familiar with at least a handful of names such as Tolstoy, Pushkin, Chekhov, Stravinsky or Akhmatova, you might find Natasha's Dance is a bit of an uphill struggle, and it might be better to start with a gentler climb, like Anna Karenina or Doctor Zhivago.
But for those who know something about Russia and want to supercharge their understanding of the place and its people, this book is undeniably, uniquely, wonderful: a treasure trove.
Customer Rating:
Summary: Figes is one of the most accessible and intelligent historians around
Comment: This is a cultural history of Russia over the past three centuries. Somehow Orlando Figes manages to draw together disparate concepts and unite them into a coherent view of a wonderfully unique culture. From peasant music and dance to classic literature and the affairs of the state, Figes delves into the heart of Russian culture to produce a work of supreme importance, both for students of Russian history, and those who wish to know more about the vivid, breathing entity that is culture. This is a readable but powerful work which seeks to create a lucid history of one of the biggest and most diverse countries in the world.
As epic and ambitious as his first book A People's Tragedy, Orlando Figes's Natasha's Dance is a sweeping panorama of Russian culture over the centuries. It takes its title from a scene in War and Peace in which the upper-crust Natasha Rostov, visiting her countrified "Uncle", falls instinctively into the rhythms of a peasant dance. Figes finds in this scene an ideal metaphor for his book's central theme--the perpetual see-sawing between the European cultural ideals of the aristocracy in St Petersburg and an "authentic" Russianess, usually seen as embodied in the peasantry and the country. The great debate in Russian culture has been between those who have seen it as a naturally "Western" society and those who have seen its destiny as lying in the East and its vast hinterland.Around this supporting central theme, Figes has constructed an imposing edifice. The range of his knowledge and the sureness with which he deploys it are very impressive. Whether writing about the music of Stravinsky and Shostakovich or the novels of Tolstoy and Dostoevsky, the buildings of St Petersburg or the poetry of Akhmatova, he has something new and original to say. The great cultural achievements of Russia often seem, for those who have only a little knowledge of Russian history, like giant mountains suddenly rising out of featureless terrain. Figes's excellent book gives them a context and fills out many of the details of the surrounding landscape.--Nick Rennison
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