The Classic Fairy Tales (Norton Critical Editions)
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List Price: $18.15
Our Price: $13.55
Your Save: $ 4.60 ( 25% )
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Manufacturer: W. W. Norton
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Average Customer Rating: 
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Binding: Paperback
Dewey Decimal Number: 398.2
EAN: 9780393972771
ISBN: 0393972771
Label: W. W. Norton
Number Of Items: 1
Number Of Pages: 416
Publication Date: 1999-11-04
Publisher: W. W. Norton
Studio: W. W. Norton
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Spotlight customer reviews:
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Customer Rating:
Summary: INSIGHTFUL AND A VERY INFORMATIVE READ
Comment: The Classic Fairy Tales which has been edited by Maria Tatar is quite an extraordinary read which I found fascinating and helpful, cover to cover. It is a collection of fairy tales which most of us are familiar with on one level or another. Maria Tartar has covered Little Red Riding Hood, Beauty and the Beast, Snow White, Cinderella, Bluebeard, Hansel and Gretel, and given us a good introduction to the works of Hans Christian Anderson and Oscar Wild. Each section of this work, and indeed each of the fairy tales noted here comprise an entire section, is accompanied by a scholarly introduction which is quite readable and very informative.
The author has, in each case, given us a fare selection of the variations of each of these tales as presented by different cultures throughout the world and different eras. This work is well researched, and I say this not lightly. I am modestly familiar with this particular genre, its history and its place in the pantheon of our literature...the author has done her work well. Not only do we get an accurate rendition of the original tale (as close to original as we probably ever will get, as many of these tales received their origin so far back into the mist of time, that it would be impossible to be absolutely accurate as many of them began strictly through oral tradition), but the author has in several cases given us a more modern version of the tale from a feminist view point.
If we take the story of Cinderella, we find that over the past several hundred years that there have been literally hundreds of versions of this classic myth. Tatar has given us a good sampling; not all inclusive, I grant you, but good never the less. The comparisons are stark, well presented and do indeed give us a wonderful overview. I also appreciated the authors various and many comments as to the impact Disney has had on these timeless stories.
This is a very readable book. It can be read cover to cover (which I feel is best), or can be used to research and edify specific stories that the reader might be interested in specifically. Reader be warned though, some of these stories are absolutely grim and a far cry from the diluted and sanitized nursery stories we are now fed. I have always felt that the Brother Grimm, were...well grim, but I find that their rendition of these old stories were far and away more civil than the originals that they made their compilation from. The Brothers actually dropped much of the gore, sex and taboos such as incest, rape and sheer butchering from their versions.
This is a very good and very informative read and a must for anyone interested in the classic fairy tale. Like any such work though, the reader should not stop with just this work, but continue and consider the opinion of other scholars in this field.
On the other hand, and this is just a personal observation, for what it is worth, some times a good cigar is just that; a good cigar. Likewise, sometimes a good story is just that; a good story. I always try not to loose sight of that fact.
Don Blankenship
The Ozarks
Customer Rating:
Summary: Awesom Book
Comment: This book has the original fairy tales, and they are amazing. If you want something completely different from the clean cut Disney versions of the classics you should at least read the book.
Customer Rating:
Summary: Excellent
Comment: This is a very accurate study on fairy tales: everyone who wonders what's there beyond a story can easily find an answer. The book contains classical versions of some of the most famous fairy tales (Little Red Riding Hood, Beauty and the Beast, Snow White, Cinderella, Bluebeard and Hansel and Gretel), including their multicultural variants, and for everyone of these there is a deep exploration about their social, historical, psychological aspects etc.
Customer Rating:
Summary: Just what she needed
Comment: My daughter needed this for school and buying all her books here instead of the site the school works with saved a lot of money. Great condition, would buy again.
Customer Rating:
Summary: A Reference in the Genre
Comment: (This is an old review I wrote somewhere else before, 20th April 2005.)
This book is a collection of both classical fairy tales and contemporary ones, though you never get the contemporary ones without their former classical models. Mostly, the book is divided into some six or seven sections devoted to the most well known tales out there: Little Red Riding Hood, Cinderella, Beauty and the Beast, Bluebeard, Snow White, Hansel and Gretel. There's also a section about Andersen and one about Wilde.
For each section there is an introduction by Maria Tatar, usually an excellent one. Also, since this is a Norton Critical Edition, you get a whole part of the book devoted to essays by the most recognised critics of fairy tales. Some of those are dubious, and bashed by other essays included there, and rightly so. Be careful about the psychoanalytical ones. But basically it's interesting to see how thoughts evolve from one essay to another, because they're put in such an order that they exist in a continuous current of thought, and that gives a neat unity to this book, as far as the essay side of it is concerned.
Excellent book to get into fairy tales with a critical mind.
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Editorial Reviews:
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Customer Rating:
Summary: INSIGHTFUL AND A VERY INFORMATIVE READ
Comment: The Classic Fairy Tales which has been edited by Maria Tatar is quite an extraordinary read which I found fascinating and helpful, cover to cover. It is a collection of fairy tales which most of us are familiar with on one level or another. Maria Tartar has covered Little Red Riding Hood, Beauty and the Beast, Snow White, Cinderella, Bluebeard, Hansel and Gretel, and given us a good introduction to the works of Hans Christian Anderson and Oscar Wild. Each section of this work, and indeed each of the fairy tales noted here comprise an entire section, is accompanied by a scholarly introduction which is quite readable and very informative.
The author has, in each case, given us a fare selection of the variations of each of these tales as presented by different cultures throughout the world and different eras. This work is well researched, and I say this not lightly. I am modestly familiar with this particular genre, its history and its place in the pantheon of our literature...the author has done her work well. Not only do we get an accurate rendition of the original tale (as close to original as we probably ever will get, as many of these tales received their origin so far back into the mist of time, that it would be impossible to be absolutely accurate as many of them began strictly through oral tradition), but the author has in several cases given us a more modern version of the tale from a feminist view point.
If we take the story of Cinderella, we find that over the past several hundred years that there have been literally hundreds of versions of this classic myth. Tatar has given us a good sampling; not all inclusive, I grant you, but good never the less. The comparisons are stark, well presented and do indeed give us a wonderful overview. I also appreciated the authors various and many comments as to the impact Disney has had on these timeless stories.
This is a very readable book. It can be read cover to cover (which I feel is best), or can be used to research and edify specific stories that the reader might be interested in specifically. Reader be warned though, some of these stories are absolutely grim and a far cry from the diluted and sanitized nursery stories we are now fed. I have always felt that the Brother Grimm, were...well grim, but I find that their rendition of these old stories were far and away more civil than the originals that they made their compilation from. The Brothers actually dropped much of the gore, sex and taboos such as incest, rape and sheer butchering from their versions.
This is a very good and very informative read and a must for anyone interested in the classic fairy tale. Like any such work though, the reader should not stop with just this work, but continue and consider the opinion of other scholars in this field.
On the other hand, and this is just a personal observation, for what it is worth, some times a good cigar is just that; a good cigar. Likewise, sometimes a good story is just that; a good story. I always try not to loose sight of that fact.
Don Blankenship
The Ozarks
Customer Rating:
Summary: Awesom Book
Comment: This book has the original fairy tales, and they are amazing. If you want something completely different from the clean cut Disney versions of the classics you should at least read the book.
Customer Rating:
Summary: Excellent
Comment: This is a very accurate study on fairy tales: everyone who wonders what's there beyond a story can easily find an answer. The book contains classical versions of some of the most famous fairy tales (Little Red Riding Hood, Beauty and the Beast, Snow White, Cinderella, Bluebeard and Hansel and Gretel), including their multicultural variants, and for everyone of these there is a deep exploration about their social, historical, psychological aspects etc.
Customer Rating:
Summary: Just what she needed
Comment: My daughter needed this for school and buying all her books here instead of the site the school works with saved a lot of money. Great condition, would buy again.
Customer Rating:
Summary: A Reference in the Genre
Comment: (This is an old review I wrote somewhere else before, 20th April 2005.)
This book is a collection of both classical fairy tales and contemporary ones, though you never get the contemporary ones without their former classical models. Mostly, the book is divided into some six or seven sections devoted to the most well known tales out there: Little Red Riding Hood, Cinderella, Beauty and the Beast, Bluebeard, Snow White, Hansel and Gretel. There's also a section about Andersen and one about Wilde.
For each section there is an introduction by Maria Tatar, usually an excellent one. Also, since this is a Norton Critical Edition, you get a whole part of the book devoted to essays by the most recognised critics of fairy tales. Some of those are dubious, and bashed by other essays included there, and rightly so. Be careful about the psychoanalytical ones. But basically it's interesting to see how thoughts evolve from one essay to another, because they're put in such an order that they exist in a continuous current of thought, and that gives a neat unity to this book, as far as the essay side of it is concerned.
Excellent book to get into fairy tales with a critical mind.
The cultural resilience of fairy tales is incontestable. Surviving over the centuries and thriving in a variety of media, fairy tales continue to enrich our imaginations and shape our lives. This Norton Critical Edition of The Classic Fairy Tales examines the genre, its cultural implications--and its critical history. The editor has gathered fairy tales from around the world to reveal the range and play of these stories over time. The Classic Fairy Tales focuses on six different tale types: "Little Red Riding Hood,' "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel." It includes multicultural variants of these tales, along with sophisticated literary rescriptings. Each tale type is preceded by an introduction, and annotations are provided throughout. Also included in this collection of over forty stories are tales by Hans Christian Andersen and Oscar Wilde. "Criticism" collects twelve essays that interrogate different aspects of fairy tales by exploring their social origins, historical evolution, psychological dynamics, and engagement with issues of gender and national identity. Bruno Bettelheim, Robert Darnton, Sandra M. Gilbert and Susan Gubar, Karen E. Rowe, Marina Warner, Zohar Shavit, Jack Zipes, Donald Haase, Maria Tatar, Antti Aarne, and Vladimir Propp provide critical overviews. A Selected Bibliography is included. About the Series--Each Norton Critical Edition includes an authoritative text, contextual and source materials, and a wide range of interpretation--from contemporary perspectives to the most current critical theory--as well as a bibliography and a chronology of the author's life and work.
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